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On The Table Read Magazine, “the best entertainment eBook magazine UK“, The Other Mozart brings to life the silenced genius of Nannerl Mozart, Wolfgang’s prodigious sister, in a visually stunning and haunting play making its Edinburgh Fringe debut this August.

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The Other Mozart

In the shadow of one of history’s greatest musical icons, Wolfgang Amadeus Mozart, lies the forgotten story of his sister, Maria Anna Mozart, known as Nannerl—a prodigy whose talent rivaled her brother’s but was erased by the constraints of her time. The Other Mozart, a haunting and visually stunning play created and performed by Sylvia Milo, brings Nannerl’s silenced voice vividly to life.

Making its Edinburgh Fringe debut this August at Assembly George Square Studios, the production has toured nine countries, inspired a 2024 PBS documentary Mozart’s Sister, and sparked a global conversation about the women whose genius was buried by history.

The Other Mozart, Photo Credit: Charlotte Dobre on The Table Read Magazine
The Other Mozart, Photo Credit: Charlotte Dobre
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A Prodigy Erased

Long before she vanished into the margins of music history, Nannerl Mozart dazzled 18th-century Europe as a child prodigy. Often billed above her younger brother Wolfgang, she was celebrated for her virtuosic keyboard performances and compositional talent. Wolfgang himself praised her compositions, urging her to continue writing, but their father, Leopold, did not share this encouragement. By age 18, societal expectations forced Nannerl to abandon her public career. Women were not permitted to perform professionally or compose; instead, they were expected to marry and raise families. None of Nannerl’s compositions survive, and her legacy was all but erased.

Nannerl’s story is not unique. She joins a lineage of women like Fanny Mendelssohn, whose compositions were published under her brother Felix’s name; Clara Schumann, who prioritized her husband Robert’s legacy over her own; and Louise Farrenc, whose music, despite professional recognition in her lifetime, fell into obscurity after her death. The Other Mozart positions Nannerl as a poignant symbol of the countless women whose creative contributions were systematically overlooked.

Ironically, Nannerl played a crucial role in preserving her brother’s legacy. She safeguarded the Mozart family letters, now a primary source for understanding Wolfgang’s life and work. These letters have enabled generations to study and mythologize him, cementing his place in history. Yet the woman who ensured their survival has been largely forgotten. The Other Mozart underscores this bitter irony, painting a portrait of a woman whose brilliance was overshadowed by the very legacy she helped secure.

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Bringing Nannerl to Life

The Other Mozart is a theatrical triumph, blending meticulous research with innovative staging. Performed atop a sprawling 5-meter 18th-century-inspired dress designed by Magdalena Dabrowska, the production transforms the costume into a stage, evoking a fantastical yet claustrophobic world of beauty and restriction. Clouds of powder and the scent of perfume fill the air, immersing audiences in Nannerl’s era.

The award-winning sound design by Nathan Davis and Phyllis Chen, featuring clavichords, music boxes, teacups, and fans, conjures Nannerl’s musical world with haunting precision. Directed by Isaac Byrne with period-style movement by Janice Orlandi, the play is a multi-sensory experience that has earned critical acclaim, including New York Innovative Theater Awards for Outstanding Solo Performance and Original Music, as well as Drama Desk and Off-Broadway Alliance nominations.

Sylvia Milo, who also wrote the play, performs the role of Nannerl alongside Daniela Galli in alternating performances. Drawn from the Mozart family letters, the script offers an intimate glimpse into Nannerl’s life—from her childhood triumphs to the societal pressures that silenced her. The production has toured 30 U.S. states and nine countries, from New York to Vienna, Salzburg to Hong Kong, and its UK return after over a decade marks a significant moment for Edinburgh Fringe audiences.

A Timely Resonance

In an era grappling with whose stories are told and whose are silenced, The Other Mozart resonates powerfully. Nannerl’s story speaks to contemporary conversations about equity in the arts, historical revisionism, and the reclamation of lost narratives. The play serves as a reminder that talent alone is not enough; even the most brilliant require systemic support to be seen, heard, and remembered. Historically, women like Nannerl were denied this opportunity—and many still are.

The production’s impact extends beyond the stage. Milo’s writing in The Guardian inspired the 2024 PBS documentary Mozart’s Sister, which has aired on Austrian television and in cinemas worldwide, bringing Nannerl’s story to an even wider audience. Critics have hailed the play as “strikingly beautiful” (The New York Times), a “gem of a show” (The Stage), and “hauntingly beautiful compositions” (The LA Times).

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A Call to Remember

The Other Mozart, presented by Little Matchstick Factory and Suzanna Rosenthal Productions, is more than a play—it’s a reclamation of a genius silenced by history. As it takes the stage at Edinburgh Fringe from July 30 to August 25 (excluding August 12) at 1:45 p.m. in Assembly George Square Studios (Studio Two), audiences have the chance to witness Nannerl Mozart’s story brought vividly to life. Through its innovative design, evocative music, and poignant storytelling, the production ensures that Nannerl’s voice, though silenced for centuries, will not be forgotten again.

Find the Other Mozart now:

For tickets and more information, visit the Edinburgh Fringe website. Don’t miss this opportunity to rediscover a musical genius and reflect on the voices still waiting to be heard.

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Author

jjbarnes@sirenstories.co.uk

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